Friday, May 9, 2025

Double knitting intro
basic methods for getting stitches on and off the needles + working side edges

Starting soon, and running through the summer, TECHknitting will feature a series on double knitting. Double knitting can mean two things: a reversible fabric, or a weight of yarn. This series is about the fabric, not the yarn. The series starts with the basics, then goes on to show new and strange methods of creating double knitting. 


To prep, today's intro post shows

  • getting stitches ON the needle 
  • getting stitches OFF the needles 
  • working the SIDE EDGES (if working back and forth, rather than in the round)

Just to be perfectly clear: this post does NOT actually show how to double knit. The how-to begins with the next post--I will put a link here when that post goes live. Today's post shows the basics of top, bottom, sides, so you'll know how to deal with those when we get there. 

Just as learning plain cast on comes before learning plain knitting, so learning double knitting cast on (and cast off and side) comes before the actual double knitting itself. 

On the other hand, if you already do know how to double knit, perhaps today's methods may add to your bag of tricks. 

Basic method for getting stitches ONTO the needles for double knitting

Materials: 

  • Yarn in color A 
  • Yarn in color B 
  • Three circular needles: 
    •  the project needle suited to the size of the yarn--needle #1
    • a circular needle in the same size or next size smaller--needle #2
    • a circular needle in a much smaller gauge--needle #3
  • A pair of yarn stoppers (or, two rubber bands will work just fine)
  • Crochet hook  

Step 1: Using the project needles #1, and any cast on you prefer, cast on the required number of stitches in color A. 

Step 2: If using long tail cast on, work an additional two rows in stockinette. If using any other cast on, work an additional three rows in stockinette. SLIP the FIRST or the LAST stitch of every row--makes no difference which you choose, but be consistent. Slip the stitch "open," meaning, not twisted. (More on slipping below.)

Step 3: Leave the stitches of color A on the project needle, and place the yarn stoppers on the needle tips. 

The below illustration shows the work after step 3. Note the "open" (untwisted) slipped edge stitches. You can tell which these are because they stretch over two rows. The stitches cannot fall off because of the yarn stoppers (a rubber band twisted round each needle tip works just as well). 

Each bottom-most stitch is marked with a blue dot. 


Step 4: Take the fabric in hand and hold it upside down, smooth side facing you. Arrange the second color of yarn so that it has a lengthy tail. Insert the crochet hook as shown, from front to back, to pick up stitches right through the bottom-most stitches (blue dots). The stitches are picked up using the tail yarn, as shown. Place each loop onto the circular needle #2 as soon as it is formed. The first illustration below shows the act of picking up these stitches, the following shows the picked up stitches on the second circular needle. 

Picking up white stitches through bottom stitches of red, in progress: crochet hook + circular needle #2

Picking up stitches completed: all red stitches on circular needle #1, all white stitches on circular needle #2

Step 5: Turn the work and  ➡KNIT⬅  the first row of picked up stitches: this makes these stitches appear as ➡PURLS⬅on the smooth stockinette side of the fabric. Then, work two rows above the purled row. Again, SLIP either the FIRST or the LAST stitch of each row. The below illustration shows the situation. The running yarn (stretching back to the skein) protrudes from the same side for both fabrics. Note again that the first row of white stitches appears in purl from the front (smooth stockinette) face. 

Look closely: the first row of white is purled as seen from the smooth stockinette side


Step 6: Fold the fabrics in half, cast on towards the bottom, and hold them back to back (purl sides together). You will find the fabric folds nobly at the purl line. Hold the needles one in front of the other. (Preview: in the upcoming series, some forms of double knitting have the set up end at this step.)

Hold the needles one in front of the other, purl sides together

Step 7: Setting up for classic "alternating stitch" double knitting requires all stitches to be along one needle. This is done by alternately slipping the stitches onto needle #3 (the very small gauge circular needle). First slip a red, then a white, then a red, and so on. Finally, slip the stitches one last time, this time putting them where they will stay: on the project needle. The stitches are as below: alternating along the cable of the project needle, right arm of each stitch forward.  Along the top, the fabric should look like the illustration below.


Below, the default basic cast on in real life cast on, shown both sides. This is a non-flaring edge because the stitches next to one another in the fabric are next to one another on the needle during the cast on itself. The alternating intervening stitch isn't added until some rows up, where it can't stretch out the cast-on. 

 The purl row makes a nice fold. In planning your project, keep in mind that only the side cast on first has this contrasting color edging. The other side (white in below photos) has a neat sort of folded edge, almost like a picot cast on, but no contrast.

Basic purl cast on IRL

Other ways of casting on are coming up later in this series, but this basic default method makes a non-flaring edge with good tension and a good appearance.

Basic method for getting stitches OFF the needles after double knitting

The top of a double knitting project is generally grafted shut. To have the top match the bottom, several rows each side are worked in one color stockinette, to make a match for the bottom border. Then, the top is grafted shut in purl pattern. There is already a whole post about purl grafting on a stockinette background: follow those directions. 

Here is a photo of all edges of the red and white project shown above. The bottom edges, front and back are the purl cast ON, while the top edges, front and back, are the purl cast OFF.

Four-way matchy-matchy: purl cast on and purl cast off, front and back

Other methods for casting off come up later in this series, but this basic method is tidy, matches well with the default cast on, and gives non flaring edge.

Basic edge method for double knitting worked flat (back and forth)

Like magnetism and gravity, stockinette curl is a force of the universe. The most basic method for double knit edges harnesses this force, setting up the edges of both fabrics to simply curl against one another. Here is a photo gallery of this sort of edge. At lower left (red frame) you see the edges pinned open, but in all the other photos (white frames) you see the edges stay tight curled shut.

Click here for closeup

There are only two rules for this kind of basic edge.

First, the edge three stitches of each fabric--front and back--are ALWAYS worked in the same color, that being whatever color they started off in. The design does not begin until past these three stitches. For a project with a color design right to the edge, add six stitches, so you can always keep the three edge stitches each side in one-color stockinette. Not only does this yield a pleasant looking border, but it also gives you a three-stitch run at the beginning of every row, to get back into tension before starting into the color work. Tension irregularities at the edge (nearly impossible to avoid) hide better in a single color border, than if the color work went right to the end. 

This three-stitch border goes nicely with the little bottom border you get from the basic cast on. The basic cast off also features a little border. In this way, all four sides are "framed," a tailored effect.

The second rule is, the very edge stitch gets slipped either at the beginning of every row OR at the end--the only caution here is to be consistent.  The edge stitch is slipped "open," meaning, not twisted. This was already started in the very first rows of the cast on, and illustrated in the first section of this post. A slipped edge is also called a "chain" edge, here are illustrated directions. Stretching the edge stitches over two rows encourages the fabric to consistently curl inwards for a smooth and un-knotted edge. The red-framed photo at lower left has the edge fabrics held open, the slipped edges on both fabrics showing (and you can see why it's called a "chain" edge). 

One more time: you might think that leaving three stitches unattached on each edge will let the fabrics flop open, but not a bit of it. That stockinette curl which knitters spend so much energy trying to tame will flip those edges right under, holding them tight shut against one another for all time. 

Other variations for edges are coming up later in this series, but this is the default--the simplest edging I know for double knitting. Looks pretty good too, IMHO.

--TK

Questions? Feedback? Contact me at 
Blue Sky  @techknitter.bsky.social or  

talk to me about this post on Ravelry TECHknitter forum

Resources:

--Opening elephant design adapted from "Elephants never forget" pattern by Keri'd

Saturday, April 26, 2025

Grafting in Purl
using knitting stitches & a knitting needle

------------
An easier way to Kitchener stitch, part 2

Easier stockinette grafting is one of the most popular articles on TECHknitting blog. It is "easier" for knitters because it is done with a knitting needle and uses real knitting stitches. The sewing needle can stay in the cross-stitch kit where it belongs. This trick exactly mimics a knit row. 

Since it first came out, I've had sporadic requests for a purl version. So, that's today's post: easier grafting, part 2, a version which exactly mimics a purl row. 

Knit vs. Purl Grafting

    Knit grafting 
Grafting or "weaving" together two flat fabrics seamlessly connects the live stitches on each (although it can also graft live stitches to bound off ones). It is worked with a cut piece of yarn which travels in and out of the live stitches, following the exact line a knit row would take. It is sometimes named "Kitchener stitching"after Lord Kitchener, a British general worried about his soldier's feet. The socks of the time featured rough toe seams, so those knitting for the troops were encouraged to learn this new "seamless seam."  Ever since, this has been a popular way to make a smooth toe.

The original makes a smooth row of knitting, but today's graft makes a purl row--not at all the thing for sock toes! 

    Purl grafting 
Purl grafting connects the live stitches of two flat fabrics via a raised and decorative purl row. This would match in texture to fabrics featuring purl rows, perhaps a scarf featuring welts, and worked both ways towards the middle. 

Another use: purl rows on a stockinette (knit) background want to make a fold line. So, purl grafting would make a decorative folded edge, such as to attach a collar-facing knit separately, or as a decorative edge to close a tubular bind off, or at the top of a double knitting project.

"...a decorative folded edge, such as at the top of a double knitting project..." 

One last thing before the how-to. Today's method makes a purl row against a background of smooth knit stockinette. Why on stockinette? Because there is no reason to write instructions for grafting two purl fabrics together in purl. To graft purl to purl, flip the fabrics to their smooth knit sides, work a stockinette graft and flip again: the fabric would now show a purl graft on a purl background.

Purl grafting with a knitting needle and a cut length of yarn

Grafting with a knitting needle is halfway between knitting and sewing. Like knitting, it uses real knitting stitches (knit and purl) worked with a knitting needle, but like sewing, is done with a cut length of yarn. In other words, although grafting uses knitting motions, it is not actually knitting, where loops are pulled through other loops. Instead, after each "stitch," grafting actually pulls the yarn all the way through until the cut end pops loose, more like sewing. 

The set up for purl grafting is the same as for stockinette.

All the front stitches are one needle, all the back stitches on another. The fabrics are held back to back, meaning, the purl (reverse stockinette) fabric faces are inside, while both outsides are the smooth stockinette faces, with their v-shaped knit stitches. If you have been working double knitting via the alternate-stitch "classic" method, or tubular bind off on one needle, you must separate the front and back fabrics, each onto its own needle to set up for this trick (link has illustrated instructions).

 The running yarn comes from the right side of the back fabric. It is cut to length and is now called the working yarn--red below. The length to cut the yarn is 4 times the width of the fabric to be grafted. The stitches of both fabric on their needles are held in the left hand, and a small thin knitting needle is held in the right hand, ready to pull the working yarn through the loops. This is the working needle. For those working mirror-image (sometimes called "left handed knitting") right and left are reversed.

Front and back fabrics, each on a separate needle, are held back to back, purl sides together. The working yarn (red) is the running yarn from the back fabric, now cut to length.

Step one: "Purl and take it off"
Wrap (bring) the working yarn around to the front of the work. The working yarn passes UNDER all needles, both left and right. Insert the right working needle into the first stitch (green) on the left front needle, and use the working yarn to PURL this first stitch. Draw the working yarn backwards (away from you) all the way through this stitch until the end of the working yarn pops free. The loose end of the working yarn (red) will now be in the area between the left needles. The stitch (green) which you were working is now fully bound off. Push this stitch off the left front needle. 

"Purl and take it off." The right working needle purls the first stitch on the front needle (green) then pulls the working yarn (red) though the stitch until the end pops loose. Note the path of the working (red) yarn: it travels UNDER all needles. After being worked, the green stitch is pushed off the needle. 

Step two: "Knit and leave it on"
 After step 1, the working yarn is in the area between the left front and left rear needles. Insert the right working needle into the next stitch (purple)--which was the second stitch on the left front needle. Use the working yarn to KNIT this stitch. Draw the working yarn forward (towards you) all the way through this stitch until the end of the working yarn pops free of the stitch. The loose end of the working yarn (red) will now be in the front of the work. The stitch (purple) you were working on is only half bound off--you must leave this stitch on the left front needle.

"Knit and leave it on." The right working needle knits the next stitch on the front needle (purple) then pulls through the red working yarn til the end pops loose. The purple stitch is retained on the needle. 


Step three: "Purl and take it off"
After the end of the working yarn was pulled through until it popped out in step 2, the working yarn exits the purple stitch from the front. Take that yarn and wrap it under the front left needle, so that it now travels towards the back left needle. There, the working needle uses the red working yarn to purl the yellow stitch at the end of the back left needle. The yarn is then pulled through the yellow stitch until it pops loose. This exits the yarn out the rear of the back fabric. That yellow first stitch on the back left needle has been fully worked, and is now pushed off the back needle. 

"Purl and take it off." The right working needle purls the first stitch on the back needle (yellow) then pulls the working yarn (red) though the stitch until the end pops loose. The yellow stitch is pushed off the needle. Note the path of the (red) working yarn: it goes UNDER the front needle on its way to the yellow stitch. 

Step four: "Knit and leave it on"
The stitch originally second on the back needle has now been promoted to be the first stitch, colored bright blue. With the working needle, knit this bright blue stitch, then pull the working yarn through until the end pops loose. The stitch (bright blue) you were working on is only half bound off--you must leave this stitch on the left back needle. 

"Knit and leave it on." The right working needle knits the next stitch on the back needle (bright blue) then pulls through the red working yarn til the end pops loose. The stitch is retained on the needle.This is the last stitch of the cycle, which then begins again with step 1. 

After step 4, the cycle begins again when you bring the working yarn forward, under all needles, to work step 1. 

Every stitch gets two yarns through it, corresponding to the two arms of a knit or purl stitch. The only exceptions are the edge stitches, meaning the first stitch on front needle and first stitch on back needle. The "second arm" for these stitches is their pre-existing connection to the selvedge yarn. 

Mantra

FRONT NEEDLE:    As if to purl and take it off 
                                   As if to knit and leave it on
------------------------------------------------------------
BACK NEEDLE:      As if to purl and take it off
                                   As if to knit and leave it on

Speed, tension and appearance

Each step creates one-quarter of a purl stitch. So, even if you could work this as fast as actual purling (which you can't) it would still take four times as long. Forewarned is forearmed: leave plenty of time.

There is no knitting needle around which to form your stitch. Without a needle in the way, yanking will over-tighten the loops. Therefore, when pulling yarn through, be mild in your tension adjustment.

Today's trick has a pretty appearance, both front and back, a "purled" string of "pearls" along the grafted edge. 


--TK

PS: If you like the look of that blue and white double knit sample, stay tuned. The next batch of posts on TECHknitting blog will be all about double knitting. See you then! 

__________

Questions? Feedback? Contact me at 
Blue Sky  @techknitter.bsky.social or  

talk to me about this post on Ravelry TECHknitter forum

Tuesday, April 1, 2025

Apple ginger microwave dumpling-cake
knitters have to eat

Happy April Fools! On this day of the year, TECHknitting features a non-knitting post. Past April Fools have included a crossword puzzle and kitchen clean ups. Today, a recipe for a quick-ish snack or dessert. 

This apple ginger dish comes out somewhere between a steamed dumpling and a moist cake, best served hot. For dessert, there is a prep-ahead option so the meal can end with fresh cake--perfect with ice cream.

-->* * * Set 1200 watt microwave to half-power. 
Set other microwaves accordingly. * * *<--


Yield: 1 big serving (6 ounces, 170 g) or two smaller. Serve with ice cream to make two large desserts. 

Time elapsed from beginning to end, about 15 minutes.

Dry ingredients, add slurry,
stir in apples, add molasses
just before cooking, finished cake

 Dry ingredients

  • ground cloves, pinch
  • ground nutmeg, pinch
  • salt, 1/8 teaspoon
  • cinnamon, 1/4 teaspoon
  • powdered ginger, 1/2 teaspoon 
  • 1/3 cup white all-purpose flour (approx 1.4 ounces, 40 grams)
  • 2/3 teaspoon baking powder

Slurry ingredients

  • butter, 1 tablespoon (Optional: substitute neutral cooking oil such as Canola or Avocado)
  • sugar, 1 tablespoon
  • white of one large egg 
  • vanilla extract, 1/4 teaspoon

Stir-in ingredients

  • 1/2 apple, peeled, cored and cut into 1/2 inch chunks (approx 1 cm)
  • 1 tablespoon molasses

Utensils

  • 1 oversized round bottom coffee cup (16 ounce, 475 ml)
  • 1 small bowl, an ordinary cereal bowl is fine

Instructions

  • In coffee cup, stir together all the dry ingredients.
  • In small bowl, soften the butter in microwave, then stir in sugar. If substituting optional oil, no need to heat anything: simply mix sugar into oil.
  • Into the sugar mixture, thoroughly beat in the egg white and vanilla extract. This is the slurry.
  • Optional: if preparing ahead of time, stop here and store slurry, covered, in fridge. Then, just before microwaving...
  • Scrape the slurry ingredients out of the small bowl into the dry ingredients in the coffee cup and mix thoroughly. The batter will be quite stiff.
  • Add the apple chunks, folding until every chunk is coated with batter.
  • Stir in molasses, leaving streaks.
  • Scrape batter off cup sides and smooth top of batter, submerging all apple chunks.
Set 1200 watt microwave to half power, set other microwaves accordingly

Cook 2 minutes. Let rest for 20 seconds, then cook for an additional minute. Test to see if knife comes out clean. If not, return to microwave and cook in 20 second bursts until knife comes out clean.

Run a sharp knife along inside cup-edge, then turn out onto serving plate(s). Eat hot.

Variations:
  • adjust ginger to taste
  • For prep-ahead option (stirring together wet and dry ingredients at the last moment) optional oil works better because it cannot harden in the fridge like butter tries to.
  • Golden Delicious apples, which do not brown when cut, are best for prep-ahead option
  • Apples not sweet? Add up to one additional teaspoon  sugar
  • For small eggs, use white + 1 teaspoon water



Tuesday, March 25, 2025

Honeycomb cables in bulky yarn
loosen for easier knitting

Honeycomb cabled fabric is pretty to look at, but look out: worked in heavier yarn it can be a pain--literally. Before adopting today's trick for loosening, my aching wrist was coming to dread the crossing row of my new honeycomb cowl.  

All-over honeycomb cable cowl knit in super-bulky yarn (Cascade Lana Grande)

Honeycomb cables are tight because they are knit adjoining: no purl or knit spacer columns provide slack. The heavier the yarn, the tighter the work; the tighter the work, the more contortions required to work the cross. So, that's today's post: a trick to loosen honeycomb knit in heavy yarns. In the right circumstance, this trick can loosen other cable crosses in heavy yarn, also. Nothing earth-shaking, but avoiding injury is a good goal too!

The TL;DR is, knit the work using the needles called for by the pattern. Then, when you get to the crossing row, the trick starts. You knit the entire crossing row with two additional, different needles--one which is a size or two smaller (the smaller needles) and the other is a tiny cable needle or dpn which gives an assist with the actual crossing.

In this way, knitting honeycomb becomes a three-needle dance. 
--the larger (pattern) needles work all rows except the crossing row, then...
--a smaller needle knits the crossing row, while the ...
--actual cables get a crossing assist from a tiny cable needle or dpn.

That's the basics in a nutshell. But for further detail, plus a short video, read on.

Classic honeycomb aran pattern

This is worked on an 8 stitch, 8 row repeat. The instructions below are per repeat. 


ROW

KNIT FLAT

KNIT CIRCULAR

1

purl

knit

2

knit

knit

3

purl

knit

4

FRONT 2/2 CROSS, BACK 2/2 CROSS

5

purl

knit

6

knit

knit

7*

purl

knit

8

 BACK 2/2 CROSS, FRONT 2/2 CROSS

*last repeat, end on row 7

FRONT 2/2 CROSS: slip 2 sts onto cable needle and hold in front of work. Knit next 2 sts, then knit off the 2 stitches held on the cable needle

BACK 2/2 CROSS: slip 2 sts onto cable needle and hold in back of work. Knit the next 2 sts, then knit off the 2 stitches held on the cable needle


Needle sizes in mm


size 1 needle

"tiny dpn" or "tiny cable needle"

2.25 mm


size 7 needle

"smaller needle"

4.5 mm

size 9 needle

"larger needle"

5.5 mm


More detail

On this cowl made of super-bulky yarn, I knit the main body with a size 9 needle, referred to as the "larger needle." On the crossing rows (rows 4 and 8), I switched to a size 7 ("smaller needle"). Just the fact of knitting onto a smaller needle made it easier to knit the stitches, because there was just that extra bit of slack available. 

In the crossing row, while knitting with the smaller needles, each actual cable-cross was worked using a size 1 dpn ("tiny dpn").  This creates even more slack, easing the cross.

Below is a crossing row being worked, where all three needles are part of the action
--the stitches are being knit OFF the larger needle
--the stitches are being knit ONTO the smaller needle
--the CROSSED stitches are held on the tiny dpn needle during the cross, and then knit OFF the dpn  ONTO the smaller needle, by using the smaller needle to do the knitting. 
 
Click to enlarge

The crossing row has already been started, so the smaller needle holds several already-crossed cables (yellow arrows). 
The next cross coming up is a front cross. It has been started by slipping stitches ⓐ & ⓑ  (blue arrows) from the larger needle onto the tiny and holding the tiny needle to the front.
Next, the smaller needle will knit stitches ⓒ & ⓓ (green arrows) off the larger needle. 
Finally, the cross will be made when the smaller needle knits stitches  ⓐ & ⓑ  (blue arrows) off the tiny dpn. 

The second half of the honeycomb (back cross) is knit the same except the tiny dpn is held to the back. 

Here's an 90-second video of the three-needle polka.



Transcript: Hi, TECHknitter here, showing a little trick with honeycomb cables. So, this is the larger needle, it’s a size 9, and this is the smaller needle, it’s a US size 7, and this is a US size 1 double pointed needle being held as a cable needle. So now, I’m holding the stitches in the back, I’m knitting with the smaller needle off the larger. Now I’m knitting off the double-pointed needle. So, that’s the cable cross, and now I’m going to work another cable cross, this time holding the stitches to be crossed to the front. So there’s the number one size needle holding the stitches to the front, here’s the size 7 knitting off the size 9, and then here’s the size 7 knitting off the size 1, to complete the cable cross. Thank you very much for watching, we’ll see you back at the blog.


All the rows, except for crossing rows, are knit with the "larger" needles: the size 9 in my example. To switch between needle sizes, simply commence knitting with the new needle. 

Panels


What about a honeycomb panel, rather than an all-honeycomb fabric? If the panel is wide enough and the yarn heavy enough so you dread the crossing rows, you can still use this trick, but only if using circular needles (although it doesn't matter if your circulars are knitting round-and-round, or back-and-forth). 

What you do is, knit every round of the of the garment with the larger needle, except the crossing row of the panel. When you get to the edge of the panel, you knit across the panel using a smaller gauge circular needle with assistance from the tiny cable-needle or dpn for the crosses. At the other edge of the panel, the larger needle takes over again. 

Here is an example.

Click to enlarge
This outside and inside view of a beige ribbed hat show it being knit with a honeycomb panel on the front. In both photos, the crossing row of the panel has just finished being knit with the smaller gauge needles. Past the edge of the completed panel, the larger needle has taken over, and has just worked four stitches of the ribbing. As you see, the cable of the larger needle simply arches over the panel, while the crossing row of the panel, just finished, now rests on the smaller gauge needle. 

As with the maroon cowl, the actual crosses on this honeycomb panel of this beige hat were worked with an assist from the tiny dpn. 

On the round or row after the crossing, the larger gauge needle will simply knit the honeycomb stitches off the smaller gauge one where they meet at the panel edge. The smaller gauge needle will then be put aside until it is again time to knit a crossing row.  

This only works with circular needles, although, again, it does not matter if you are working back-and-forth or round-and-round. This is because straight needles have no flexible cable to bend out of the way. 

Can you use this trick on other cable crossing rows?


This trick works very well on honeycomb, where the crosses disguise any change in gauge. See, honeycomb cables are side-by-side. With no spacer columns, and no "plain knitting" between the cables, there is no "in-between fabric" to show a change of gauge when knitting with smaller needles. In widely spaced cables, this would not be true: the columns between the cables might very well show the effects of having been knit with a smaller needle. 

However, the higher the number of cables, and the lower the number of spacer columns, the more likely a change of gauge on the in-between spacer columns escapes unnoticed. An all-over fabric in heavy yarn, featuring regular cable crosses lined up in the same crossing row with few spacer columns between--that would be a good candidate for experimenting with this trick.

Where heavy cables are close together in a panel, you can try the panel trick. Again, the closer the cables and the fewer "plain" columns in the panel, the more likely this trick is to work without a visible change in gauge across the non-cable columns. This is especially so because any gauge-change is restricted to the panel: the larger needle knits all the rest of the round or row.  

Tension questions?


Do you wonder if slipping a large loop onto a smaller needle (from larger size 9 to the tiny dpn size 1) makes the slipped stitches smaller? The answer is "no."  Recollect that the needle which MADE the stitch determines its actual size, and slipping that stitch onto a smaller needle has no effect on loop size. Therefore, slipping off onto a smaller dpn or cable needle does not make the loop of the stitch smaller. 

Similarly, do you wonder whether knitting the crossing rows with a smaller gauge needle distorts the tension?  In my experience, the answer is also "no," or at least, not so I've ever noticed when knitting with heavy yarns and adjoining (or very close) cables. However, the usual cautions apply! As with all things knitting, your mileage may vary. If in doubt, swatch both ways and judge for yourself. 
_ _ _

Today's post actually only adapts the time-honored trick of using a smaller diameter cable needle when knitting cables in the classic aran manner. This trick amplifies that logic across the entire crossing row. 


--TK

Questions? Feedback? Contact me at 
Blue Sky  @techknitter.bsky.social or  

 ___

Other cable-related posts:

.Afterthought reversible cable-ette border
.Cables crossed wrong: anchored I-cord disguises the miscross 
.Fixing miscrossed cables: unlatching and re-knitting cables crossed the wrong way 
 Infinity Loops.. (improved Celtic Knots)
.Keeping track of cables: box and circle method, intro 
.Tracking complex cables using box-and-circle, Part 2 of a series 
.What is a cable, anyhow? Cable crosses and how to knit them 
.What row am I on in my cable? Counting cable rows